The Yoga Unicorn

The best stuff to teach always comes from one’s own practice, and in yoga experiential knowledge is considered to be the highest form of knowledge.  This is why I’m so excited to share the techniques in my classes that have so recently come together for me in the last month and a half.

When I spend time with Edward Clark (//Tripsichore.com), without fail, I have a new recognition of how lazy I am in my practice.  I don’t mean that I’m not doing enough chaturangas, I mean that I am not using the resources of my body (muscularly, Pranic energies fueled by the breath, et al) in even the simplest of poses, let alone transitions.  And the truth is that if I am honest about using everything to breathe my way into poses, the simplest poses require more effort than doing the hard stuff without the technique.

The latest epiphany was exerting effort through the back body to stabilize the torso.  This is particularly effective technique for backbends and pressing into inversions, but dramatically impacts stability in everything.  The Tripsichore breathing methodology is profound, and there’s so much to the seemingly simple premise of keeping a long neutral spine through pranayama technique while doing asana.

Edward recently wrote a few words about the muscularity of the breath.  In other words, we should actually be employing muscular effort to deepen the breath in a way that is coalescing and consolidating the body as Prana (fueled by the breath) moves the body through space.  The key is not to “just breathe”, but to use the breath as a vehicle through which Prana is manipulated, and Edward goes on to say,

“Few people seem to realise the muscularity of the breath…there is a great deal of physical effort put into a very precise movement.  Ordinarily, I suppose, we associate this level of effort with large movements…running, jumping…but one of the remarkable things about yoga is the discovery of what happens when you put that much effort into something that seems relatively limited….you know, instead of flailing ones arms or legs around, you put all that effort into moving the middle of your pelvic bowl a relatively small distance.”

To accomplish this involves a sustained level of concentration and effort to put some real depth and breadth of power behind the smallest of movements.  As it turns out, this intensity of focus (dharana) and careful placing of the body through manipulation of Prana (vinyasa) is what yoga is all about.  It’s a very intense process to master this technique, and I can assure you it’s worth it—repeated effort ultimately results in formerly elusive magic that makes everything come together to achieve what you could not do before.  And that, my friends, is better than a Unicorn smelling of fresh baked bread eating sunshine and rainbows.

To read the rest of Edward’s message on the muscularity of yogic breathing click HERE

To come to my classes and learn the “Unicorn Techniques”, there are classes Monday-Thursday 12N and 5:45PM at Seattle Yoga Shala.  Email me at lizdoyle@msn.com and I’ll send you the info.  You can also check out my website HERE: //LizDoyleYoga.com

Riding the mythical beast called Prana,

Liz

Here are the rest of Edwards comments on pranayama:

I suppose it is worth stressing that pranayama and breathing are not really interchangeable terms.  Breath is a mechanism through which prana is manipulated.   Essentially, any model one produces for what is meant by prana would be likely to include in its definition (though perhaps only tacitly)  that it is a way of looking at things that makes them have some kind of coherence.  E.g. the model of kundalini being a serpentine  energy that arises from some point  the base of the spine suggests a place where the movement of energy commences and a path through which it travels.    This possibly lends coherence to the movement  of the body and/or mental processes that happen when this model is used to interpret experience.  Coherence or unity being an alleged aim of yoga…an aim that would include the intentions of a practitioner and the resolution of their actions…could be evaluated then in terms of how well they were able to behave as if they were making prana/kundalini run through their body in a coherent fashion.   Breath would be part of this.

It is odd then that a slow and muscular breath is felt to be a just an optional add-on for most vinyasa practitioners rather than the place that any movement commences.

Few people seem to realise the muscularity of the breath…there is a great deal of physical effort put into a very precise movement.  Ordinarily, I suppose, we associate this level of effort with large movements…running, jumping…but one of the remarkable things about yoga is the discovery of what happens when you put that much effort into something that seems relatively limited….you know, instead of flailing ones arms or legs around, you put all that effort into moving the middle of your pelvic bowl a relatively small distance.

Apropos injury…one of the compelling reasons for the use of a slow breath is that it slows the practitioner down enough to be able to observe when they are getting into perilous territory.  It is hard to breathe slowly and go into a place where you injure yourself.

Mind The Gap

If you’ve ever been to the UK and taken the tube, you’re familiar with the admonition to “mind the gap” (the space between the train and the platform).  I didn’t realize this was probably a personal subliminal message to me for the last two and a half weeks, as even my best friend’s daughter Mathilde kept saying “Mind the Gap!”

For those who’ve been keeping up with my Facebook posts, you know I’ve been in London for the two week inaugural Tripsichore PLUS Practice training course with my teacher, Edward Clark of Tripsichore Yoga.  In summary, I was plagued with various and intense pains and an injury- to read the full first week in review click HERE.  At first it was very difficult to stay in the practice, and I would occasionally stop to skip a pose or two.  Edward encouraged me to stay with the vinyasa of it (the “gap”, if you will), even if I wasn’t doing the poses exactly, and that would allow me to stay with the breath.

So that’s what I did.  But the uber lesson for me came from the intensity of sensation moving through mundane daily tasks.  Now I was suddenly aware of how my arms had to move to do simple things like fold laundry, and now that I’m home, shift gears in my car.  It’s been an abrupt and vivid recognition of how I favor one arm in general, and now that I’m injured, how I have automatically adjusted the asymmetry to favor the other arm, especially in movement.

The physical discomfort required that I intentionally slow down and become mindful of the gap or transition between positions and physical goals.  Moreover, to give more weight to how I move from one thing to the next than the starting and ending point.  There’s an obvious Life metaphor here, and at the risk of being patronizing, can you imagine what it would be like to be this intentional all of the time with everything?  Sometimes Life demands it- through injury, grief and the like, but most times we get to choose our level of Mindfulness to the Gap.  What’s become clear to me is that, especially as a vinyasa practitioner- one who purportedly holds the “Gap” paramount- is that it’s far less important WHAT I’m doing than HOW I do it and how I get from one place to the next.  This applies to EVERYTHING- the practice, physical and mental movements, relationships, my Life’s Path, the list goes on.

Regrettably, it’s caused me to further reflect on how my habitual drive and myopic focus has been a detriment to my experience of Life, and how I’ve missed out on the much more interesting understanding and lessons of the Gap.  In my opinion, this is where all the real yoga takes place, even when it’s not fun.  So, until I see you again, please “Mind the Gap” on the tube and in Life.

In the Gap,

Liz
//LizDoyleYoga.com

P.S. If you’re interested in working with Edward personally, please join us the weekend of October 5-6, 2013 for a weekend of extended practices, workshops and lectures.  Click HERE for more info.

P.P. S.  If you'd like to take class with me, I offer 8 classes per week at Seattle Yoga Shala, and you can get more info HERE

The Relevance of Vinyasa

 

Edward Clark of Tripsichore Yoga will be in town October 5-6, 2013 for workshops, lectures, and practices (read more details by clicking HERE).
  
One of the lecture/practices is on Vinyasa and it's relevance in the larger context of Yoga and the Practice.  I asked Edward to write a few words about the workshop, and I think you'll find it interesting.  Read on...

 

VINYASA 

Though Vinyasa and "Flow" forms of yoga are among the most popular practices, their lineage and place in yoga orthodoxy are rarely articulated.  This workshop looks at the ways in which the Tripsichore vinyasa practice integrates pranayama and philosophy to make possible the accomplishment of difficult work on the mat. 

 

The concept of vinyasa as applied to yoga philosophy could either be considered very ancient or radically new.  In either case, vinyasa seems to be the great contribution to yoga of this particular generation of yogis.  Most yoga discipline has worked on refining one's self in the direction of greater stillness - an absence of movement in the mind and body.  Superficially, vinyasa would seem to contradict this.  However, the mental focus and physical technique needed to bring about continuous fluid movement can also bring one to a "seat" of great stability and clarity. The stability is not only in the posture, but in the transition between postures - to the point where there is no distinction between movement and stillness.  The place of vinyasa in the history of yoga is yet to be determined, but as yoga has become a worldwide pursuit, it is probably safe to say that its importance now also lies in how people begin to apply it outside the more traditional places it has been practised.  

 

VINYASA, in our definition, is the evenly metered flow of movement, breath and thought resulting in a smooth, uninflected state of being.  The vinyasa techniques are pursued to bring about clarity and stability to one's thoughts and actions.  

 

In seated meditation, there is an inclination to go inward. Looking inwardly has been a major thrust of yogic practice. But one has as many inward distractions as one has outward distractions, so I am a little bit inclined towards harnessing the senses rather than get rid of them. In vinyasa yoga, you don't stop in a posture, you stay in a flow. There isn't a pause of any kind. And so the idea of eka grata is focusing on the flow itself. 

 

 

This makes more sense if the idea is understanding the totality of the universe which must contain within its singularity many things which appear to be contradictory. When we talk about things like cosmic consciousness, it's not just the cosmos of the inner landscape we're talking about, it's the enormity of the universe, and that's not just something that takes place within our own vista locked in the cranial vault. 

 
 ~Edward Clark

Join us October 5th and 6th!
  
See you soon and keep practicing!
Liz
//LizDoyleYoga.com 

The Good Teacher

THE GOOD TEACHER

My friend Ali asked, “What makes a good teacher?”

For me it all starts with sincerity, a teacher who is a yogi in their own right, someone who can teach me something I don’t know, and the application of a high level of intellectual rigor to the practice.

I’ll use Edward Clark, founder of Tripsichore Yoga, as an example.  A few years ago, I completed his one month intensive training, and I’m headed back to London next month to complete his two week “graduate” program.

What initially drew me to Edward was that what he was doing was so uniquely different.  Even the few poses that I was familiar with were done differently.  Though handstands are pretty ubiquitous these days, at the time it was highly unusual and even suspect, to do inversions mid-sequence.  And what’s more, he’d actually thought through the process and had a reason or intention for everything he did—from the choice of vinyasa to whether a particular move was an inhale or exhale—and could articulate it.  Every time Edward came to town, I would consider what and how I was teaching asana and think I should scrap everything and start over.  It was a radical departure from the mainstream.  He was also gut-bustingly funny, and for those of you who know me, you understand how I prioritize humor.

Asking questions, I was worried and hesitating; I wasn’t sure if a question was overstepping my privilege as a student and would be unwelcome.   I was delighted to discover that he is incredibly kind, thoughtful and accessible as a teacher.  In sharp contrast to the other “master” teachers that I had encountered, he welcomed sincere and thoughtful questions and discussion, even when questioning his logic or method.  I remember one instance where I questioned something that seemed contradictory to a previous principle he’d espoused.  Edward’s reply?  “I was hoping you wouldn’t notice that.”  Wow!   

This combination of passion, ingenuity, creativity, intellect, lack of ego around being “right”, and an obvious desire to share his knowledge led me to his training in London.  When I arrived, I was even more pleased to discover his knowledge and study of traditional yogic texts, and learn about the grounding of his methodology in yoga tradition.  And all of this from a guy with no real teacher-- I was flabbergasted.  Before ignoring or disagreeing with the ancient traditional texts in yoga, he actually studied them, and then created his own system based on the teachings.  This system is rather iconoclastic in terms of its pursuit of sainthood or enlightenment via movement.  These yogic pursuits have historically been achieved through the more still practices of seated meditation and inner practices.  No one has ever done it through vinyasa.  Edward readily acknowledges this is an experiment, one that likely won’t bear definitive fruit until after he’s gone, but he has his mandate from the yogic texts, this is what he thinks will do the trick, and he’s committed.  He’s committed his life to what’s possible.  Whether you agree or not, you have to respect that.  Who is that brave?  Who is that intelligent or creative?  Not many of us.  History will tell whether he is an innovative yogic genius, failure, or even more interesting, the guy who “invented” the yogic equivalent of the glue used on post-it notes (an accidental invention by a scientist working on developing a super strong adhesive- characterized as “a solution without a problem”.)

What impresses me most about Edward is how generously he offers his knowledge and experience, and tirelessly teaches everything he knows.  This comes with the expectation that the student will not rest on that knowledge, but take what he has given and do more.  Use that knowledge to advance the practice, as a foundational springboard to something better that can only be given by someone else who has learned, experienced and added to that knowledge.

In a world of participation trophies and short cuts, I appreciate the contrast of a teacher that exemplifies discipline, and a challenging practice that requires it.  Of course, the best teachings are always by example.  Edward not only lives his practice, but has high expectations in terms of work ethic and effort on the part of his students.  He can be incredibly sweet and caring, and it’s wrapped up in greater expectations of the students than we have of ourselves.  Edward has done it, he’s been there, and he’s learned what he knows without a “guru”.  That knowledge is hard-won, and can be respected through effort and a willingness to try, even when success is beyond our grasp.

It’s a blessing to have had incredible teachers who have these qualities, and Edward exemplifies them beautifully.  In gratitude, I will strive my entire life to embody these examples.
For info on Edward's upcoming workshop in Seattle, October 5-6, 2013- click HERE!

Master Teacher Workshop with Edward Clark- Tripsichore Yoga 10/2013

One of my teachers, Edward Clark - founder of Tripsichore Yoga- is coming to town October 5th and 6th for workshops!

 

For those of you who have met Edward, you know how wildly entertaining and intensely interesting his workshops can be.  For avid students, teachers and anyone interested in smart discourse on yoga philosophy, technique and the meaning of life, this is a highly anticipated weekend--sure to be the talk of the Seattle Yoga Scene for months to come.

 

Especially if you have been studying Tripsichore with me for the last six months, this is your chance to ask the questions and get answers straight from the source!  No one delivers like Edward.

 

Here're the details:

 

Hours 8:30am to 4:30pm at Skinner Auditorium, 1245 10th Ave. East, Seattle, WA 98102, on Capital Hill, next door to St. Mark's Cathedral.

Saturday October 5, 2013:
8:30-9:30am: Introduction/Philosophy of Vinyasa

9:30-11:30am: Practice
11:30-12:30pm: Break
12:30-1:30pm: Bhagavad Gita: Karma, Bhakti and Jnana Yoga

1:30-2:00pm: Break
2-4:30pm: Workshop on Backbending

Sunday October 6, 2013:

8:30-9:30am: Reflection on Yoga in the modern world

9:30-11:30am: Practice
11:30-12:30pm: Break
12:30-1:30pm: Sequencing and methodology of vinyasa

1:30-2:00pm: Break
2-4:30pm: Workshop on Arm Balances and Inversions

  

Pricing:

Full weekend: $275

Early Bird paid on or before August 5, 2013: $225

Drop-in rate per session: $50

  

Registration:

email: lizdoyle@msn.com

call: 206.660.2321

  

Payment methods:

cash

check (payable to Sattva Yoga)

PayPal (please cover the PayPal fees)

  

If you want more than the standard yoga fare, this is just what the doctor ordered.  See you there, and feel free to contact me anytime with questions or for registration. 

  

Love,

Liz

//LizDoyleYoga.com

206.660.2321

The Yoga of Injury, Ageing, and Limitations

One of my students recently asked me what I meant when I said that we use yoga asana (the physical postures) to teach us that we are more than our bodies.

I've heard it put best by master teachers like Edward Clark and David Swenson, and I paraphrase-- If yoga (asana) was about achievement in the poses, we'd be looking to gymnasts, acrobats and Cirque du Soleil perfomers for the secrets of Enlightenment. This is not to diminish their accomplishment, it's that there's something unique about yoga asana that makes it more than contortionism; and even if we've never thought specifically about it, on some level we know that.

Perhaps it's not until we've reached "a certain age" or had an injury-- minor or debilitating, temporary or permanent-- that we recognize we are something more than our physical body. It doesn't make it any easier to "gracefully surrender the things of youth" (Desiderata), but it does underscore the value of our practice beyond the physical.

The question then is- why do the physical poses at all? Beyond taking care of our "temple", it's a vehicle through which we can understand and learn about everything around us. The practice room is like a laboratory, and we "experiment", putting our body through the paces, creating situations that create stress, intensity, discomfort, in a safe and controlled environment. We do this and learn about ourselves, train ourselves on many levels-- physical, mental, emotional, and spiritual-- so we can grow.

I ran across a poem by Theodore Roethke called Infirmity that I think illustrates the temporal nature of the body and our attachment to it, the play of the senses, and That within us that is always the same. We might call it "Spirit" or the "Soul", but it's this eternal Inner Light of Awareness that we seek to uncover in yoga, and better yet, allow to inform all of our thoughts, words and actions-- even while obscured by this body we inhabit.

INFIRMITY by Theodore Roethke

In purest song one plays the constant fool
As changes shimmer in the inner eye.
I stare and stare into a deepening pool
And tell myself my image cannot die.
I love myself: that's my one constancy.
Oh, to be something else, yet still to be!

Sweet Christ, rejoice in my infirmity;
There's little left I care to call my own.
Today they drained the fluid from a knee
And pumped a shoulder full of cortisone;
Thus I conform to my divinity
By dying inward, like an aging tree.

The instant ages on the living eye;
Light on its rounds, a pure extreme of light
Breaks on me as my meager flesh breaks down-
The soul delights in that extremity.
Blessed the meek; they shall inherit wrath;
I'm son and father of my only death.

A mind too active is no mind at all;
The deep eye sees the shimmer on the stone;
The eternal seeks, and finds, the temporal,
The change from dark to light of the slow moon,
Dead to myself, and all I hold most dear,
I move beyond the reach of wind and fire.

Deep in the greens of summer sing the lives
I've come to love. A vireo whets its bill.
The great day balances upon the leaves;
My ears still hear the bird when all is still;
My soul is still my soul, and still the Son,
And knowing this, I am not yet undone.

Things without hands take hands: there is no choice,-
Eternity's not easily come by.
When opposites come suddenly in place,
I teach my eyes to hear, my ears to see
How body from spirit slowly does unwind
Until we are pure spirit at the end.

See you soon and keep practicing!
Liz
//LizDoyleYoga.com

200 Hour Teachers Training: A Rose By The Same Name May Not Smell As Sweet.

My dear friend, Ali Valdez, and I lead annual teachers trainings, and our next 200 hour starts in April.  There is still a few days to make the early registration cut off, and I thought it might be useful to hear from Ali on the topic of the ubiquitous nature of 200 hour programs and why we think ours is the choice for yogis who are serious about the practice and teaching.

Here's what Ali has to say...

Teacher Training 2013 is coming up rapidly. As teachers who teach throughout Seattle and the Eastside, as well as conduct workshops all over the country, it is incredible to see how many studios offer "teacher trainings." In fact, which one doesn't?

But what is a teacher training and the philosophy behind creating a great teacher and creating a great yogi?

A great yogi has to have the discipline to do the daily practice. Period. No excuses. But a great yoga teacher should hold themselves to the same standards. It does not make sense to aspire to be a teacher of yoga, and not actually do yoga. If you were a college professor in a topic such as English Literature, but never felt like reading, nor enjoyed literary criticism or analysis, over time, the law of diminishing returns sets in. The quality of the teaching will disintegrate because what you are delivering to your students ceases to be a gift from the heart, developed and nurtured within, but more like a product, one of thousands available on a shelf.

A great yogi by design, per Hatha Yoga Pradipika, is not necessarily inclined to 'reach out' and be connecting with the world. A great yoga teacher, however, has no choice. The desire to teach requires some level of accessibility, vulnerability and servitude. How does one teach those skills adequately?

One thing that I love about yoga is the eight limbs: all of them. They provide a true life long path for spiritual growth and self realization. They are the backbone also on how and what to teach. The cornerstone of a solid practice transcends merely the physical aspects; after all, we are profound and lovely spiritual beings. The path is not straight, very long, and often times cluttered by the weeds of vritti (fluctuation of the mind) and klesha (afflictions or sufferings), but it is a glorious path nonetheless. Having spent some time entrenching oneself into the signature of each of the limbs brings dimension and richness to the overall development of your being. Teaching from that place can pack an inspirational punch.

The spectrum of eight limbs is not for everybody coming into a teacher training, day one, all at one time. The connection between student and the teacher should be one that can layer themes, build on ideas gradually then play them out in one's own life and yoga practice. Working with their teacher who faciliates showing how all the factors are woven together, and should withstand the test of time, especially a time so fleeting as 200 hours.

It is my hope that together we can mindfully create a community of great yogi yoga teachers, and through our experiences do our best to truly walk the walk and bring the fruits of our journey to the program.

It is my hope you will join us and the different yoga studios that will be participating this year, to experience the essence of the heart of yoga in a complete way, offering up the right tools in the right way for your development, inspired yogi, or aspiring yogi yoga teacher.

There is only one two hundred hour program available this year in Washington state, and it starts April 12th. Early registration ends February 1st.

More information can be found at www.sattvayogaonline.com/teacher-training/power-vinyasa or info@sattvayogaonline.com. 

(You can check out our Kids' Teachers Training here: http://sattvayogaonline.com/teacher-training/kids-yoga/)

Life's Meat Tenderizer

In the past 50 days (original writing 4/8/12), the Universe has asked me to let go of some important things in my life. It started with my 20 year old cat's death. Two weeks later, my 90 year old grandmother, with whom I was very close, died. Five short weeks later, my 15 year old cat died. For those without pets, it may be difficult to understand the loss, but these were creatures with whom I had my longest relationships outside of my family.

In spite of, or maybe because of the pain, I've learned a lot through these experiences. It has been a gift to be with each of them when they died. And I've learned lessons from all of them. My cat, Tiffy, was the poster cat for acceptance of all circumstances, unconditional love, joy and contentment. My grandmother was a dignified woman, who made me feel important, that I had special gifts to offer the world, and they should be shared through the things about which I am passionate. My other cat, Maddie, demanded from me full engagement, and she taught me discernment; she was a unique cat, but did not share herself indiscriminately.

Having experienced this "Trifecta of Death" in such a compressed time has left me feeling pretty roughed up, but I can see the value in it. An image became very clear to me a couple of days ago-the process of tenderizing meat. It feels like Life sprinkled a powder of experience on me, and Universal Timing took its spiky metal hammer and pounded the crap out of me. I realized that there were really two options: become hardened by the experience in an effort to shield myself from further sadness, or allow it to strip away all the BS and tenderize my heart. Believe me, I could use some tenderizing. I can often be without sentiment, too direct in my speech and unsympathetic. Pain has helped me understand the importance of leaving people with a good feeling about themselves after being in my presence. I'm not sure I'll get it perfectly anytime soon, but you can bet I'll be trying a lot harder.

There has also been an unexpected lesson for me. Respect for everyone's life situation, even if it seems unjust and beyond their control. I can recall situations from my own life-- some I chose unwisely, others felt more imposed upon me-where someone could have intervened and helped me. I can say with complete certainty that I benefited in untold ways from all of my experiences, good and bad. I hope I will not be misunderstood; it is important to help when necessary. I suppose what I'm saying is that I'm redefining "necessary" and hopefully I'm not nearly as arrogant as I was 7 weeks ago to think I know best for everyone. I think I understand what "live and let live" means.
There's also recognition for me now that I am not in charge. I'd like to think I'm holding the reigns, but I understand in a new way that I cannot see the whole picture and as the Desiderata says, "whether or not it is clear to you, the Universe is unfolding as it should." What I can control is the managing of myself through the processes that present themselves in my life.

Sound like a bunch of junk a former "cat lady" minus one grandma tells herself to feel better? Maybe, but it works. I DO feel better. And more grateful, more aware, more connected, and hopefully, a little more tenderized by Life's occasional bludgeoning. The good news is that I am still alive to do some good with my new knowledge.

If you want to read the blog post I wrote after my grandmother died last month, click HERE.
Thanks for reading, and I look forward to seeing you in the practice room.

Much love,
Liz

P.S. Another odd bit of timing related to all of this was a reminder I got today about a special practice I am doing on June 3^rd when Venus transits the Sun. The message of the practice to commemorate this galactic event is shedding the layers of protection that hide the True Self, allowing our actions to come from a place of purer intention. Two hours of fun, good work, and self-reflection- all for $20. If that sounds good to you, call Yogabliss to register, 206-275-2300, and I'll see you there!

Northwest Yoga Conference Interview with Liz Doyle!

I was recently interviewed by Melissa from Northwest Yoga Conference (February 18-19, 2012) where I'll be presenting Saturday February 18th, 9-11AM on Hidden Meanings in Yoga Asana (half practice/half lecture and discussion)- sign up for my workshop or the whole weekend HERE!

Read on...

Ever wanted to know a little more about your yoga teacher? Here is your chance! We asked teachers at the conference to share what inspires their teaching and practice and let us know about their yoga favorites. They also share what they are looking forward to most at the Northwest Yoga Conference. Enjoy!

Meet Liz Doyle, a prominent yogi in the northwest, who will be teaching yoga practitioners about the “Hidden Meanings in Yoga Asana”. You can find Liz Doyle teaching yoga classes and workshops on both sides of Lake Washington and at retreats, teacher trainings and festivals throughout the United States and internationally. In addition to teaching adults, Liz also offers yoga classes for children. Learn more and sign up for Liz’s email newsletter at: LizDoyleYoga.com

Inspiration:

What was your first yoga experience?

My first yoga experience was when I was a sophomore in college. I raided my parents’ library before I left for school that year, and one of the books I took was Richard Hittleman’s Yoga: 28 Day Exercise Plan. I didn’t know it at the time, but it’s a great little book and a well-rounded sequence. I followed the plan religiously, and I loved it. For some reason, I didn’t keep it up, and did not practice again until I was 30, when I began a regular practice with an Iyengar teacher in San Francisco. The rest, as they say, is history.

What does yoga mean to you?

Yoga is a science for Self and/or God-realization. It’s a well-charted path for uncovering the Self, and becoming better versions of ourselves, and along the way developing an understanding that the Kingdom of God is within us.

Why did you decide to become a yoga teacher?

My original intention was to sign up for yoga school to develop my own practice. Simultaneously, I was really struggling with my job and my boss, and things were not working out. I was out of town for a weekend, doing a lot of soul searching and praying for guidance as to what the heck I was supposed to be doing with my life. I remember sitting by a river, quite emotional about my situation, literally begging for a sign as to what I should do—and lo and behold—nothing happened. Such a disappointment, but it was time to head to the local yoga class, so I got up and went. At some point during class, I handed the student next to me a block. After class, totally out of the blue, the teacher came up to me and said, “You should be a yoga teacher.” I figured signs don’t come any clearer than that, so I quit my job, went to yoga school and started an organizing business to support myself until I could teach.

What do you hope students learn from attending your yoga classes?

What I hope my students learn is that they are far more than they think they are, and the beauty of who and what they are has nothing to do with the physical practice. I know that sounds funny coming from someone who’s known for an intensely fun and challenging class—I just hope that an unusual experience in the physical practice helps them come away with a feeling of wonder and curiosity about the world around them and within them. I wrote a mission statement that encapsulates what I’m trying to create for my students, so I’ll include that here:

"It is my fundamental belief that yoga is a transformational process for the development and reorganization of one’s consciousness. With that said, it is my heart’s intention to utilize yoga to create the appropriate energetic space, and provide techniques and tools to enable the true yoga practitioner to operate from their authentic Being."

Which teachers have influenced your yoga practice and teaching?

Kathleen Hunt: Kathleen is an amazing soul, and an incredible teacher. She is a master at holding energetic space, conveying the teachings during an asana class and sequencing to a peak pose. You can check out her studio at: Samadhi-yoga.com

Edward Clark: Edward applies an uncommon level of intellectual rigor to the practice. He has designed a practice and cultivated an ujjayi method that is well-grounded in yoga philosophy, and emphasizes Grace and Beauty in asana to cultivate eka grata (single-pointedness) to connect to the One. Read an interview with Edward at: http://sattvayogaonline.com/one-enchanted-morning-the-return-of-tripsichore-to-seattle/

Andrey Lappa: Andrey is another intellectual yogi who has developed a system, a precise methodology for a complete and whole experience in the practice. It’s a rather complex system for kundalini awakening and stimulating one’s consciousness for the purpose of Enlightenment. Read more about it at: universal-yoga.com

Katerina Wen: Katerina introduced me to Edward and Andrey and in my opinion, is the perfect blend of the two. I had a magical time the two years I spent at her studio before it closed, and I cannot thank her enough.

About the Conference:

Share with us some of the highlights of the workshop you are presenting at the Northwest Yoga Conference.

The workshop I’m leading at the NW Yoga Conference is one of my favorites. As practitioners, we spend so much time contorting our bodies into shapes and hurling ourselves through space- but where do these poses come from and what do they mean? I believe that the names of the poses give us hints and clues about the lessons contained in the poses and how to unlock them. It’s these names, stories and symbols that we’ll be exploring for the purpose of adding meaning and richness to the lessons of the practice.

What are you looking forward to the most at the Northwest Yoga Conference?

I’m really excited about connecting with the yoga community on a larger scale. It’s always a good feeling to be among fellow practitioners who care enough about the practice to hang out learning for a weekend.

Beauty Will Save the World

Hello Friends!

Dostoevsky said, "Beauty will save the world." I've been turning this over in my head a lot the last month or so. If there's one thing worth striving for in a yoga practice, it's Beauty-- otherwise it's simply acrobatics or gymnastics. But save the world? What does that mean as we live our daily lives?

Imagine if we endeavored to infuse every aspect of our lives, each action, with Beauty. What words would pass your lips, what thoughts would cross your mind, with what bhava or feeling would you do everything? It's nearly impossible to conceive of the robustness of experience, the positive impact that could have. In achieving this, I am the least among us.

Often, I am personally "lost" in the busyness of daily life, surrounded by pavement, the sounds of the city drowning out my thoughts and the symphony of Nature. A couple of weekends ago I spent some time alone at my grandmother's lake cabin. No TV, no radio, no cell service or internet. I could actually hear the wind rustling the leaves of the trees like they were talking to me. It was during this time that I realized these moments of "retreat" are so critical. Removing oneself from daily events and the barrage of noise on every level gives one a chance to settle. For me, I find it also reminds me that there is Beauty all around me, and that I should try to add to that Beauty.

The thing I've noticed most is that I usually head into these times with a list of tasks to finally complete, books to read, articles to write, etc... and none of it ever gets done. Somehow, in spite of my lack of productivity, devoid of a conscious directing of volition, a powerful thought or intention magically pops up that affects the course of my life and the person I want to be.

This gave me a new appreciation for the yoga retreat, however brief. So ubiquitous the opportunities, it almost gives the impression that a retreat cannot be all that important. On the contrary, its importance cannot be underscored enough. A group of like-minded people, coming together for a period of time to support each other in the process of self-study, in surroundings conducive to inner reflection, is bound to have powerful and lasting effects.

It's easy to think that what we do in our lives isn't that critical most of the time. But what if it IS? What if we lived as if EVERYTHING mattered? Another Russian novelist suggests that Beauty may elevate our works to that of the heavens:

"Works steeped in Truth and presenting it to us vividly alive will take hold of us, will attract us to themselves with great power- and no one, ever, even in a later age, will presume to negate them...and if the too obvious, too straight branches of Truth and Good are crushed or amputated and cannot reach the light-yet perhaps the whimsical, unpredictable, unexpected branches of Beauty will make their way through and soar up to that very place and in this way perform the work of all three." ~Alexsandr Solzhenitsyn

It's fascinating to me that these two men lived in the Soviet Union during very bleak times, and it's proof you don't have to go on a retreat to "find yourself" or appreciate Beauty-- but it might be helpful. Life can be so challenging, and sometimes apparently ugly. Find inspiration anywhere you can, look for it within yourself as well as around you, and imagine it when all else fails. And if you don't know what to do or how to do it, make it Beautiful. That has to be enough.

Satyam Sivam Sundaram (Truth is God and God is Beauty),
Liz

For information on my upcoming retreats, please email me or check out my website:

www.LizDoyleYoga.com

Tripsichore Yoga

This month I wanted to talk a little about Edward Clark and what you can hope to get out of his workshop in September. For starters, it's a rare occasion to spend time with a Master Teacher, dare I say "international yoga celebrity", in a more intimate format that welcomes intelligent discourse and questions.

Edward is uniquely funny, brilliant and an effective and entertaining teacher. I encourage you to join us for the weekend of September 23-25 (details and comments from students who attended his previous workshop to the right) for Edward's workshop in Seattle. It promises to be a good time loaded with fun, great yoga technique, and yoga philosophy discussions. Here're a few words from Edward regarding what we'll be covering and why:

"At the very second you are reading this, somewhere on the globe, there are at least 3 yoga teachers exhorting their students to "Breathe". I have the statistics in my briefcase. Unless the students are enrolled in a YOGA FOR PEARL FISHERS PROGRAMME (copyrighted and trademarked), they can't have been avoiding breathing for too long. So, asking questions that seems too obvious and which have hence been overlooked, what are the advantages in breathing well? What constitutes "good" breathing? Also, a somewhat more sophisticated question, what are the techniques?

The answers to these questions may seem surprisingly complex and contradictory. For instance, on the one hand, "good" breathing is held as a tenet of most contemporary yoga practices whilst on the other hand, lengthy breath retentions are esteemed by much of the hatha literature of yore. The vinyasa premise is that breathing is a
mechanism through which prana is manipulated. But, WAIT! What exactly is meant by the term "prana"? It would be pointless to try to give a full answer to the question in this brief pitch to lure you into attending a FULL!! Weekend of workshops and lectures (Yes, come on -- do you really think you're going to "get it" by attending a couple of the sessions? I reckon it takes at least a month of 8 hour sessions to even come close).

While this workshop won't "open your heart" or "root your core" or even "make a shamanic transformation", it will present a forum for the technical aspects of pranayama in vinyasa practice -- a subject rarely given extended discourse."

Well, there you go...from Edward himself. As most of you know, I spent a month with Edward at his studio in London learning his technique. It was an incredibly meaningful learning experience, and absolutely invaluable. We all know breathing is important, and as teachers, we talk about it constantly. Edward practices what he preaches, and what Edward will teach you is the specific whys and hows of making the breath work for you in your practice. And you may be surprised to find out it's not just about the physical practice, that's just the part people see...

Pranically Yours,

Liz

PS for info on the workshop, see my website: www.LizDoyleYoga.com and to register, email me at lizdoyle@msn.com

Practicing From the Heart

For those of you who know me and come to class regularly, you know I have no problem waxing on regarding virtually any yoga related topic. So why was an article on backbending so hard to write? At first I started with the hows and physical benefits, but that’s really missing the forest for the trees. You can learn the hows, the secrets and techniques, along with anatomy and physical benefits at the workshop (CLICK HERE FOR INFO) -- The real question is the why…

Let’s start with how people sometimes feel about backbends. They can be intimidating, intense, and even scary. WHY? Well, if you’ll forgive the pun, it really gets to the heart of the reasons for a yoga practice. As yoga practitioners, we are striving to practice and live in a heart centered way. Backbends are often referred to as “heart openers”. What does that mean? Do you really want your heart “opened”?

For me, when I hear it described like that, it feels like maybe my heart will be opened in a way that would make it vulnerable and easily damaged or hurt. What that kind of language is really about is living fully from the wisdom of the heart, with the heart fully open to the richness of Life- which includes pain, pleasure and all that’s in between.

The true nature of openness of the heart has to do with truly connecting with others, the Creator and all of Creation. And to do that completely, there is a certain amount of vulnerability involved. Rachel Naomi Remen said, “At the heart of any real intimacy is a certain vulnerability. It is hard to trust someone with your vulnerability unless you can see in them a matching vulnerability and know that you will not be judged. In some basic way, it is our imperfections and even our pain that draws others close to us.”

This vulnerability then, is really about being authentic and real in a way that is available to others. Not so that you can be exposed to danger or pain, but so that you can connect. And the reason this works is because as you let go of the veil of “protection” you become closer to your true Self. When you can let go of your self with the little “s”, and be in touch with your Self with a big “S”, then the ego fades, and your interactions with Self and other are more about connecting genuinely than representing yourself in a certain way according to what you think might be most impressive.

This kind of openness and vulnerability will of course expose us to potential pain and heartbreak, but in a knowing that there will also be a corresponding joy and satisfaction that can only be experienced in the polarity between the two. This living from the wisdom of the heart provides fertile ground for the Grand Experiment we call a yoga practice. One of my teachers, Aadil Palkhivala talks about intensity versus force. As you move through your asana practice be very sensitive to the distinction between the two. At some point where you experience mental, emotional, spiritual discomfort, are you forcing it on some level? Use your spiritual discernment to know the difference.

Once you can have an awareness of feeling, practicing and living from the heart, you can use this Knowledge and Awareness to offer up the energies of the lower chakras (such as desire, fear, etc.) to the wisdom of the heart; offering also the energies of the higher chakras (thoughts, analysis, emotions, etc.) to the wisdom of the heart, the Seat of Love.

As you practice backbends, whatever comes up for you, offer it up. Work with intensity, and without force, opening your Self to all that Life has to offer, knowing you are meant and able to experience it ALL. And when you can approach not just your practice, but your Living in this way, you will be more connected to Everything, and bless the world with Who You Really Are.

Stay Bendy~
With Love, Liz

What's All The Fuss About Prana?

Hello Friends!

This month I wanted to talk a little about Edward Clark and what you can hope to get out of his workshop in September. For starters, it's a rare occasion to spend time with a Master Teacher, dare I say "international yoga celebrity", in a more intimate format that welcomes intelligent discourse and questions.

Edward is uniquely funny, brilliant and an effective and entertaining teacher. I encourage you to join us for the weekend of September 23-25 (details and comments from students who attended his previous workshop to the right) for Edward's workshop in Seattle. It promises to be a good time loaded with fun, great yoga technique, and yoga philosophy discussions. Here're a few words from Edward regarding what we'll be covering and why:

"At the very second you are reading this, somewhere on the globe, there are at least 3 yoga teachers exhorting their students to "Breathe". I have the statistics in my briefcase. Unless the students are enrolled in a YOGA FOR PEARL FISHERS PROGRAMME (copyrighted and trademarked), they can't have been avoiding breathing for too long. So, asking questions that seems too obvious and which have hence been overlooked, what are the advantages in breathing well? What constitutes "good" breathing? Also, a somewhat more sophisticated question, what are the techniques?

The answers to these questions may seem surprisingly complex and contradictory. For instance, on the one hand, "good" breathing is held as a tenet of most contemporary yoga practices whilst on the other hand, lengthy breath retentions are esteemed by much of the hatha literature of yore. The vinyasa premise is that breathing is a mechanism through which prana is manipulated. But, WAIT! What exactly is meant by the term "prana"? It would be pointless to try to give a full answer to the question in this brief pitch to lure you into attending a FULL!! Weekend of workshops and lectures (Yes, come on -- do you really think you're going to "get it" by attending a couple of the sessions? I reckon it takes at least a month of 8 hour sessions to even come close).

While this workshop won't "open your heart" or "root your core" or even "make a shamanic transformation", it will present a forum for the technical aspects of pranayama in vinyasa practice -- a subject rarely given extended discourse."

Well, there you go...from Edward himself. As most of you know, I spent a month with Edward at his studio in London learning his technique. It was an incredibly meaningful learning experience, and absolutely invaluable. We all know breathing is important, and as teachers, we talk about it constantly. Edward practices what he preaches, and what Edward will teach you is the specific whys and hows of making the breath work for you in your practice. And you may be surprised to find out it's not just about the physical practice, that's just the part people see...

Pranically Yours,

Liz

PS- to learn more about Edward's upcoming workshop in Seattle, September 23-25, or to register, email me at lizdoyle@msn.com, or check out the website: www.LizDoyleYoga.com

See you there!

Practice Interruptus

Hello Friends!

Here's a question: what do you do when it feels like your practice is going to hell in a handbasket? And you can define that anyway you'd like:

-I don't have time to practice

-I'm frustrated with/by/from (insert reason here)

-I'm not as motivated

-I can't find a yoga teacher/studio/style I like

-I stopped and I can't make myself start again

-I'm injured

You get the picture. I've recently been struggling with my own practice. This past month I haven't been practicing as intensely as I have for the last year, I can feel the difference in my practice, and I don't like it.

It doesn't really matter why we allow disruption to our practice. In my case, my good friend Patrick, a local yoga teacher and my yoga practice buddy, broke his arm. We have been practicing together for a year and a half or so, and it's been great. We like the same crazy stuff, we both like to work hard, and we have a similar enthusiasm for the practice. I have been looking forward to practicing with Pat for 18 months, when suddenly last month, he could not practice. UGH. I've been practicing, but it hasn't been the same. It was different when I had someone to push me, inspire me and hold me accountable on the days I didn't really feel like it. And things have been a bit lackluster for the last month as a result.

I've had all the normal feelings about it- frustration, annoyance, disappointment with myself; but I've also looked for the lessons in this experience.

Here's what I've come up with so far:

1.There is an ebb and flow to life, and therefore to the practice-on all levels. So don't be lazy, but don't beat yourself up either. Do your best to keep it together during the less ideal times, and things will come back around- they always do.
2.A yoga practice is personal, individual and about svadyaya (self-study), so it's best not to let it get too wrapped up in another person, their practice, or their existence. Yoga is personal. It is about Self-realization, not "Selves" - realization.
With those lessons in mind, it's healthy and fun to practice with one or more people. It's good to connect with other humans, and despite the requisite lip service to no competition in yoga, if everyone else is trying something, you 'll probably try stuff you wouldn't try if left to your own devices. And that's a good thing for personal growth.

Connecting and interacting with others is uniquely human, and it's where all the real yoga happens. Just make sure the practice is ultimately about and for you in a way that serves your spiritual development --with or without the company. Even though it would be so much simpler if enlightenment were about leg variations in handstand, it really has nothing to do with that, and everything to do with polishing the diamond of the soul and shining the light of the intellect upon it to reveal the beauty of its facets.

So put your efforts into your own inner practice, using the tools you have acquired thus far, with the most consistent work you can muster, and let no one or no circumstance deter you from the most important work you can do-revealing your true Self.

I hope to see you soon!
Consistently Yours,

Liz

Opportunities and Challenges

I was honored by my friends' request to "officiate" their commitment ceremony. What I didn't expect was how it would change me. I arrived in town for dinner, and when I got home, I reviewed what I was going to say, and started to get very emotional. I was re-working it a bit, re-typing and reviewing everything, and I needed an objective point of view. It was quite late, but my friend Stephanie answered. She approved of what I had written, and followed with: "you need to somehow incorporate this part of you into your teaching".

Well, I knew right away she was right, but I asked her to elaborate. She said, if I could share this part of me with my students, they would be able to connect with me and feel that I care about them, and she shared with me some feedback she had received from people who had attended my classes. What hurt about these words was she was right. I know I have not totally shared myself with my students. The worst part was thinking that my students had suffered for it, and did not know how much I care about them.

I don't know what this is all going to mean for me, my teaching and my students, but I do know that sharing what's in my heart (without sounding like a blowhard) will be a challenge. I'm guarded. The power of what I feel inside is overwhelming, and I don't yet know how to express it without being overly-emotional. This process is going to make me a better human being and a better yoga teacher. And that's what it's all about anyway.

I salute, honor and support my friends Gary and Chris as they embark on their life together. And I thank them for being the kind of friends that inspire and challenge me to be the best human being I can be.
--------------------

Here's what I said during the opening remarks while "officiating" the commitment ceremony:

Hi Everyone, I’m Liz. I met Gary a few years ago when he attended a yoga class I was teaching. As yoga practitioners, we’re trying to peel away the layers of junk that prevent us from radiating our true selves, which is, of course, Love. When thinking about Love, I turned to the writings of a Sufi Mystic and Poet of the 13th century named Rumi, and I came across these words, so apropos for this ceremony:

“On a day when the wind is perfect, the sail just needs to open, and the world is full of beauty. Today is such a day.”

The fact is, the wind of life, and life’s available experience, is ALWAYS perfect. It’s really just a matter of opening the sails of the heart, so that the hardened layers of protection we wear as a result of the less enjoyable aspects of Life can be shed, and Beauty can be seen in its full glory. Today IS such a day. Today is a gateway. You may have noticed that marriages are often conducted under archways. These gates or archways are symbols; of goals attained, and more importantly, as a symbol of the end of one phase, and the beginning of another.

Gary and Chris, you’ve chosen to stand here together and make some serious promises to each other, and then walk together through the metaphorical gate to the rest of your Life together. It takes courage and “heart” to make these commitments, and to have this opportunity is a Blessing. No lifetime voyage is without hardships, but know that you are not alone. We are all here, literally at your back, to support you. Today is about your love for and commitment to each other—but know that you are not the only ones making promises today. Our presence here signifies our commitment to you as a couple, helping you all along the way, doing our part to help you keep your promise to each other.

With that said, it’s the two of you that will do the heavy lifting, and reap the incomparable rewards that only come with hard work, devotion, sacrifice, and most of all Love. Where do we look for Love, and how do we keep it alive?

I don’t know what words of inspiration I can offer to the two of you, who inspire all of us. It’s your love for each other that brought you together, and brings us all here. What is love?

Gary, Love is the feeling in your heart that fills it completely, in way you never imagined you could feel for another human being…

Chris, Love is the music of Gary’s laughter in your ears…

Gary and Chris, Love is the respect you have for each other’s way of expressing themself and the confidence each of you have in being who you are…

Chris, Love is Gary’s unexpected kindness towards and tolerance of Teddy when you first met (letting you know you would get the same treatment)…

Gary, Love is talking about your future with Chris early on, even though it made you little nervous, and Love is also his reaction.

Love isn’t one big thing, Love is the Beauty in all the little things. You already recognize the Beauty in each other, and in all the little things about your Beloved. It’s these little signs of Beauty, that add up to the one big thing: the two of you together.

Before the lovely Julie reads for you, I will leave you with one last bit of advice from one of Rumi’s poems on keeping love alive:

RELATIONSHIP BOOSTER
Here is a relationship booster
that is guaranteed to
work:

Every time your spouse or lover says something stupid
make your eyes light up as if you

just heard something

brilliant.

Hi Everybody,

Well, it's October 3rd and I'm sending out the "September" newsletter-- I should be writing about procrastination...perhaps next month.

I'll be keeping it uncharacteristically brief this month. Mostly what I want to share with you is the sheer elation I have with regard to the practice lately. Practicing Tripsichore makes me look forward to the next practice even before I've rolled up my mat after savasana. It's so much FUN!

The reason I mention this is that I hope you will join me and experience it. I hope it will invigorate and motivate you the way it has me. If I can share that with you, it will be a satisfying role as a teacher for me.

I think this must be what it was like to be a child and discover I could sit up, then oh my! I can crawl! Crawl??? Let's try to stand up and maybe even walk-- holy crow! Let's RUN! And dance! And now, as an adult, I'm finding the same joy, frustration, challenge and motivation as I've learned to stand, walk, and maybe even "dance" on my hands.

Even without all the fancy tricks, in it's simplest form, Tripsichore Yoga feels and looks beautiful. And perhaps I'll be equally excited about something else one day; but that's the beauty of Life, and yoga practice, as a grand experiment and discovery. Come see what's in it for you.

Experimentally Yours,

Liz Doyle
www.LizDoyleYoga.com

Get Down Dog

Just for fun I thought I would share a couple of pictures that were taken this week while I was practicing. I was feeling grouchy when I got to practice that morning, and laid out my mat and started on some handstand walking.

When I returned to my mat about 10 minutes later, the teacher's dog, Aigo (loosely meaning "love dog"), had decided to camp out on my mat. It's funny how animals somehow know when you need some amusement. In any event, I did some other work just beside my mat and eventually decided to simply work in the available space on my mat. The teacher saw what was going on and took some pictures with his phone.

The "Love Dog" did not move until I was finished with my practice, and pulled my mat out from underneath him! And it definitely cheered me up.

Yoga Sutras and Contentment

What Do the Yoga Sutras Have to Say About
Santosha (Contentment)?
Everything you need is inside you.

2.42 From an attitude of contentment (santosha), unexcelled happiness, mental comfort, joy, and satisfaction is obtained.
(santosha anuttamah sukha labhah)

santosha = contentment
anuttamah = unexcelled, extreme, supreme
sukha = pleasure, happiness, comfort, joy, satisfaction
labhah = is acquired, attained, gained
Santosha brings happiness and joy: From an attitude of contentment (santosha), unexcelled happiness, mental comfort, joy, and satisfaction is obtained.

Contentment comes from within: We humans seem to always be seeking satisfaction in the external world and our internal fantasies. Only when we comfortably accept what we currently have will be able to do the practices that lead to the highest realization.

Respect

Hello Friends!

I was talking with one of my teachers, and relaying a story a yoga teacher once told during a class, and my reaction to it. Her immediate reaction was, "You HAVE to write about that in your next newsletter!!!"

So here you go: I was in a class with a yoga teacher we'll call "Bob". Bob was telling us how he was in a public restroom and before he washed his hands, he turned the knob on the paper towel dispenser so he didn't have to touch it after washing his hands. (He was preaching to the choir so far, because I do the same thing.)

Bob commences washing his hands, splashing his face, whatever... While he's taking care of business, he notices the guy next to him is done washing his hands and is shaking the water off his hands, wiping the water off his hands, and repeating. Bob finally figures out that this gentleman saw Bob get his paper towel ready and was WAITING for Bob to finish so that he could dry his own hands.

Bob then pauses for dramatic effect, and says theatrically, "Now THAT is respect." Pardon me, for being so contrary, but the first thing that popped into my mind was, "Sorry, Bob, RESPECT would have been you telling the poor man to take the towel and THANKING him for noticing and waiting so politely without rushing you."

The lesson here is that we all get very self-centric, and think that WE are the ones due respect. (Check this out next time you're in traffic and get angry when someone won't let you merge, yet you find yourself behaving the same way when you're in a hurry.) We forget that everyone is due common courtesy and respect and the best way to engender respect is to be respectful and behave in ways worthy of respect. Given that we aren't (well, I'll speak for myself!) all perfect, I hope that when we realize that we have not behaved in a way that is worthy of our fellow humans and their respect, that we acknowledge it, and apologize-- if not to them, at least in our own hearts.

Respectfully, :)

Liz Doyle
www.LizDoyleYoga.com
lizdoyle@msn.com
206.660.2321